Scope
Cabin in Ulvik, Vestland, Norway
挪威韋斯特蘭 林中小屋
—
Rever & Drage
Scope
—
Rever & Drage
該案坐落於挪威西部河畔邊,是設計團隊對鄉村公路建築的致敬
This cabin in Ulvik, Western Norway, is a homage to country-road architecture. Important as sources of inspiration are the works of Rudolf Olgiati; with its blend of vernacular architecture and historical design principles, as well as the romantic nationalism paintings of Hans Gude. The latter both in a direct, landscapy way, and in a more abstract way being within the tradition of design as a method of slow and steady progression.
這座位於挪威西部的林中小屋,是設計團隊對鄉村公路建築的致敬。其融合了鄉土建築、歷史設計原則以及挪威風景畫家——漢斯古德的浪漫民族主義畫作,其中後者既以一種直接的、景觀化且更抽象的方式,在傳統中向前緩慢而穩定的推進。
As a complex the cabin together with it's annex has the composition of a traditional small scale farm linked by the access road. Being pinky-yellow the cabin is a merge between the traditional house on such a farm, normally painted white, and the barn, normally painted a warm red. Cabins as such, being introduced to this area in the middle of the 20th-century as recreation for the upper middle class, where meant to function somewhere between the comfort of a house, and the roughness of a barn. This intermediate state can also be traced in the facade composition of this building with some features commonly found in barns and others commonly found in houses.
作為一個綜合體,該棟小屋及其附屬的建物,構成了一個和道路相連的傳統小型農場。赭黃色的小木屋融合了農場的傳統房屋(通常塗成白色)和穀倉(通常塗成暖紅色)元素,此外,這種小屋在二十世紀中葉被引入該地區,作為上層中產階級的娛樂場所,其功能介於舒適的房屋和粗糙的穀倉之間,這種中間狀態也在這座建築的立面結構中體現,其中一些特徵常見於穀倉和其他房屋中。
Further pointing to the ambiguous character of the building the facade facing the fjord is both representative and plebeian. The cornice over the main door is lifted to a parapet to signal entrance and dignity, while the eaves over the large window gives a low-key impression (as well as providing shelter for the window). More subtle the concrete arch inside the glass facade balance the slanted beam on the outside, but, contrasting the aggressiveness of the wooden beam, the arch is withdrawn in shape and character to provide room for the door. As composition, inside and outside, the building is more juxtaposition of ordinary elements than a display of the unique. More thoughtful use of off-the-shelf items than tailor-made solutions, although not pure even in this respect.
不僅如此,面向峽灣的立面兼具代表度與普遍性,並進一步形塑出建築它模棱兩可的特徵。首先,大門上方的簷口被延升至欄杆,以示威嚴的入口形象,而大窗戶上方的屋簷則給人一種低調的印象,同時為窗戶提供了遮蔽物。微妙的是,玻璃立面內的混凝土拱門在平衡外側斜梁的同時,又形成了一種對比,具有鮮明侵略性的木樑弱化了拱門的形狀和特徵,並為大門騰出空間。從布局看來,無論是內部還是外部,建築更加強調普通元素的並列而非單純突顯其特色,比起量身打造的方案,該設計更周到地使用現成物品塑造簡約卻不落於簡單的作品。
面向峽灣的立面兼具代表度與普遍性,並進一步形塑出建築特徵
Principal Architects:Tom Auger
Structural Engineering:Jatak
Contractor:Halldor & Johs Hamre AS
Each Floor Area:70 m²
Total Floor Area:140 m²
Site Area:720 m²
Principal Materials:Wood
Principal Structure:Wood
Location:Vestland, Norway
Photos:Tom Auger
Text:Tom Auger
Collator:Grace Hung
主要建築師:湯姆.奧格
結構工程:雅達克
施工單位:Halldor & Johs Hamre AS
各階面積:70平方公尺
空間面積:140平方公尺
基地面積:720平方公尺
主要建材:木材
主要結構:木材
座落位置:挪威韋斯特蘭
影像:湯姆.奧格
文字:湯姆.奧格
整理:洪雅琪
Rever & Drage