比利時休伊斯 HIUS住宅

CAS architecten

The buildings main focus is the wonderful view to the fields, as such, to maximise the enjoyment of this aspect Pieter-Jan and Jovanca created an elevation almost completely made of glass. All living areas benefit from the same exceptional quality of view. The house is elongated which serves to increase the perceived mass of the dwelling but the built footprint is decidedly modest. The first floor volume was added to provide accommodation for two children's bedrooms, this is a unique space within the home, and thanks to its elevated status, affords views even further out into the countryside. At the other side of the house there is a second entrance through the back door that gives direct access to the side kitchen. The main kitchen is located directly behind it, consciously positioned on the hinge point of the L-shape. As a result, connections are established between this and the other spaces such as the living room and beyond into the courtyard. However, it avoids creating a completely open kitchen. The external patio space not only separates the internal rooms, it also allows morning sun to flood into the house. Through its organic shape the courtyard enters into a dialogue with the sleek architecture of the house. Between the kitchen and the living room is the dining area with a large dining table that provides a focus and a place where various atmospheres are created depending on the use and the occasion. At the very end, behind the living room, Pieter-Jan and Jovanca opted for a flexible space. It serves as a playroom / summer living room which hints at the traditional verandas of the past. Though open and connected, the house can also offer the possibility to isolate yourself when desired. For example, the office space is 'around a corner', secluded from where one enters the house yet it is still a part of the overarching concept of connectivity. Through a combination of carefully selected materials and precise detail design the composition is calm and rational. This restrain is reflected in the use of three key materials: concrete, wood and glass. These materials are utilised to form large surfaces which purposefully evoke calmness through their scale and form. Their selection and design was not arrived at quickly, Pieter-Jan and Jovanca painstakingly researched and eventually sourced the ideal components for the desired effect of seclusion, peace and quiet.

這棟建築的主要焦點是美妙的原野風光，因此為了盡可能強化這方面的優勢，彼得-傑和約萬卡（Pieter-Jan and Jovanca）採用近乎百分百的玻璃立面，讓整個起居區都享有同樣優質的視野。整棟住宅成細長型，因此可在較小的建地面積中，獲得較大的住宅景觀面。另外增加了一樓的空間以作為兩個孩子的臥室。在這個家中，這是一個獨特的空間，因為位置較高，可享有有更遠的鄉村景觀。住宅的另一側設有第二個入口，穿過後門可直接進入副廚房。主廚房位於其正後方，特意設計在這個L形的中樞點位置，是為了連接這裡與其他空間，例如客廳和其後方的庭院，同時也避免創造出完全開放式的廚房。室外庭院不僅隔開了內部空間，也使得早晨的陽光能夠灑入屋內。由於採用有機造型，庭院與房子時尚的建築造型得以相互輝映。位於廚房和客廳之間的是餐廳，一張大餐桌為這個空間提供了焦點，並且可根據用途和場合變換氛圍。在客廳後方的房屋最末端，彼得-傑和約萬卡選擇讓它成為可靈活運用的空間，可以做為遊戲室，也可做為夏季時的客廳，讓人想起過去的傳統陽臺。雖然既開放又相互連接，需要時，這棟建築仍可提供自我獨處的空間。例如，辦公空間位於「轉角處」（around a corner），與進入房屋之處相隔開來，但仍然未脫離整棟住宅相連接的概念。結合精心挑選的材料和精準的細部設計，使得整體格局呈現出平和理性的風格。這樣的謹約概念反映在所採用的三種主要建材上：混凝土、木材和玻璃。這三種建材形成了住宅的大片表面，並特意藉由其規模和形式創造出一種靜謐感。這些選擇和設計並非一蹴即成，彼得-傑和約萬卡經過一番辛苦的蒐尋，才終於找到了理想的元件，創造出期盼達成的隱世、和平與寧靜氛圍。