哥倫比亞昆迪納馬卡 諾拉之家
生命倫理的核心，在於學會將「他者」納入思考之中：眼前的一片水域、土壤與其中的微生命，自晨至暮的光影，以及一棵樹能否擁有足夠的生長空間而不驚擾棲息其上的飛鳥，皆構成萬物倫理的一部分。當這樣的思考被置入建築脈絡，它便轉化為一種回應場域的方式——為仰望天空創造合適的條件，讓視線得以穿過枝葉，感受四時流轉。
Ethics, at its core, begins with the act of considering the other: the body of water that lies ahead, the soil and its microscopic inhabitants, the light that shifts from morning to afternoon, and the possibility that a tree may cross the space without disturbing the nests of birds. It also means creating the best possible conditions to gaze at the sky through the ever-changing canopy.
建築由光影、質地、重量與尺度等多重物質現象共同構成，因此能放大感知、深化人與場域之間的關係。正因如此，設計團隊以石材作為核心語彙，回到材料最真實的物質性，讓其自然的重量、紋理與時間性介入場域，進而建立建築與地景中所有元素之間的關聯。
As a physical phenomenon, architecture has the power to amplify imagination and heighten our sensitivity to place. From the beginning, we asked whether, in the language of the great existing stones, we might find the most genuine conditions to establish a relationship with all the elements that compose a landscape.
位於哥倫比亞山區小鎮的這座住宅，回應著場域中一種微妙的平衡：既要順應自然，也要與土地原有的能量共存。建築被構想為一個具有自身「比重」的存在，不以風景式的造型姿態引起獨特的視覺效果，而是讓空氣、光線與周圍的自然能量滲入其中，使它能以最純粹的方式立於場域之中，並在建築與環境之間生成一種關於簡樸與回歸本質的默契。
In Casa Nola, located in Cachipay, Colombia, the answer lies in the delicate balance between the need to adapt to the natural environment and the desire to work with the energy already present there. The project proposes an architecture with its own specific gravity—one that avoids picturesque gestures and instead allows itself to be permeated by the elements, by air, light, and the strength of its surroundings. It becomes a kind of pact with simplicity and the essential.
上升、下降、漂浮、倚靠、進入與離開，這些看似日常的動作，構成了身體與空間之間最原初的關係。設計團隊意識到，人的動態與自然秩序是息息相關的，居者或繞著巨石行進，感受量體帶來的重量與靜止；或在燒製陶土的空間中尋得片刻庇護；也可能於屋頂之上自在漫步、在露台上伸展身體，讓肌理與環境相互貼合；抑或僅是停下腳步觀看，與場域一同保持沉默的節奏。
To ascend, descend, float, recline, enter, or exit—these actions speak about the body's relationship with space. During the project's conception, there was a conscious understanding of movement and natural order: to move around the great stone, to seek shelter within a mass of fired clay, to walk across the roofs, to extend oneself over the terrace, to pause and observe.
在這一層意義上，建築之所以動人，往往在於它願意讓自然一同居住其中，而非只作為住宅的容器。同時，讓空間作為序列、過渡與停頓所構成的流動體，並本能地回應地形、光線與水的節奏，使自然得以在空間中安靜穿行，而不受到阻礙。
Architecture, in this sense, becomes enchanting when it allows itself to be inhabited not only by people but also by the elements. It perceives space as sequence, transition, and pause, responding instinctively to geography, to the rhythms of light and water, and to the quiet possibility of nature passing through it without resistance.
主要建築師：安東尼奧．耶邁爾 吉米．帕拉西奧
結構工程：伊凡．費爾南多．維爾加拉
施工單位：耶邁爾建築事務所
建築面積：139 平方公尺
主要材料：磚塊．混凝土．石英磚
主要結構：混凝土
座落位置：哥倫比亞奇帕克昆迪納馬卡
影像：聖地亞哥．博梅切爾托維茲 葆拉．貝爾穆德斯
文字：安東尼奧．耶邁爾
整理：何雯意
Principal Architects：Antonio Yemail．Jimmi Palacio
Structural Engineering：Ivan Fernando Vergara
Contractor：Yemail Arquitectura
Building Area：139 ㎡
Principal Materials：Brick．Concrete．Gres Tile
Principal Structure：Concrete
Location：Chipay, Cundinamarca, Colombia
Photos：Santiago Beaume．Paola Bermudez
Text：Antonio Yemail
Collator：Winnie Ho
