加拿大安大略　魔鬼峽谷住宅

Studio AC｜AC工作室

Devil’s Glen is located on the Bruce Peninsula a few hours north of Toronto. The design process began with a picnic on site where a discussion focused more on the natural elements of site rather than the building, and this inspired an ethic for the project to come. The design began with two fixations, one having the house sited true to a NSEW to take advantage of the solar path throughout the day, the view to the water and to avoid disturbing as much of the natural habitat as possible. The second fixation was to have the roofscape act as a device to shape light, levels of intimacy and vantage points to the treetops, water and sky beyond.

魔鬼峽谷位於布魯斯半島，離多倫多以北僅有幾個小時的路程。設計起源從一次野餐開始，討論的重點是場地的自然元素而非建築，就此激發了項目的設計靈感。該案設計從兩個方向出發，第一是將房屋選址在基地寬敞且視野開闊的地點，以利用全天的太陽能、水景，並盡可能避免干擾自然棲息地；第二則是使屋頂區域成為塑造光線、親密度，還能遠眺樹梢、水和天空的樞紐。

The house is organized in two linear bars, one with sleeping quarters and the other with open living. A modesty to the plan that uses a simple grid of 12’ x 16’ for living spaces and 12’ x 12’ for sleeping allows for unobstructed life to exist within. A simple shift of the two bars produces a covered terrace facing the water and a covered porch at the entry, while simultaneously increasing privacy for both the primary bedroom and the secondary bathroom facilities. This shift in the bars and the siting of the house also conceals the view to the water upon arrival to the site. Once you enter the house the landscape and water are revealed via vignette style windows facing the forest and an expansive glass wall facing the lake.

房屋分為兩道軸線，一道為臥室，另一道則是開放式起居室。該規劃採用12’×16’的簡單網格作為起居空間，而12’×12’作為睡眠區域，提供居住者暢通無阻的活動場域。簡單轉換兩道線性空間，便形成一個面朝水池的有頂露臺和入口的門廊，同時提升主臥室和次臥室的私密性。本案藉由可彈性開合的簾幕與房屋的位置隱藏了水景，當人們進入屋內，周遭的景觀和水景，就會從面向森林的小格子風格窗戶以及面向湖面的寬闊玻璃牆展現出來。

The old fruit trees coexist today with other species chosen for their shading, framing and metamorphosis qualities throughout the year. All the vegetation near the house is deciduous, allowing the sun to warm the interior in winter. Near the limits, preference was given to species with persistent leaves. Everything here is about inhabiting the outdoors throughout each of the four seasons. The house is just the pretext.

如今，院內的古老果樹與其他植物和諧共存，而這些綠植的挑選條件端看全年的遮蔭效果、生長形態與成熟品質。因此，住宅周圍的植被均為落葉植物，其中在相對極端的氣候，樹葉仍長保翠綠的植栽尤其受到青睞。最終，該案一切設計皆是為了與四季共融，而住宅本身只是個託顧。