墨西哥巴亞爾塔港　塔奧之屋

HW Studio

「塔奧之屋」的雛形不僅始於設計圖紙，更源於居者的日常軌跡。男主人偏愛幾何與留白的語彙，更將「陰影」，視為一種能讓心沉靜、讓呼吸放緩的庇護所；女主人對家的期許則源自一家人的日本旅行：空寂的美感、節制的構圖、建築中被凝結的靜止，皆深深觸動他們，因此期望住家能以陰影為題，保有留白幾何美學，同時蘊含日式建築中的從容、靜謐。

Some houses are not designed — they are remembered. Casa Tao grew not from drawings, but from the memories of its inhabitants, shaped not by image but by a way of living. The homeowner's childhood in Puerto Vallarta—where humble materials, handmade effort, and the search for shade defined daily life—formed the project's emotional core. Shade here is understood as protection and a calm, breath, and quiet refuge. His precise, self-taught curiosity and love for essential geometry and light-filled courtyards further guided the architectural sensibility. His partner added another influence: a family trip to Japan that awakened an appreciation for emptiness, compositional purity, and stillness — a desire ''to live inside a Japanese museum,'' meaning a space where time softens and silence becomes tangible.

基地所在周遭是一座綠蔭廣場，建築以含蓄手法迎向綠意，避免大面玻璃帶來的熱負荷，以斜向、內斂的姿態與廣場連接。由側面望去，立面以柔和線條與微開的縫隙導引氣流，使建築與廣場之間通透而不過度敞開。空間配置上，下層安排臥室與服務空間，上層則是一個輕盈、挑高的生活盒體，被抬升至街道視線之上，使日常與自然貼近。外部露台作為休憩區，讓居者能於此享受寧靜。臥室圍繞著庭院展開，以圍合形塑安靜的內向氛圍；一道弧形牆與一株庭樹默默構成迎賓儀式。量體並未向街區敞開，而是向內聚合，並向上往天空與光影敞開，使日常以緩慢、平穩之姿鋪展。

In a neighborhood with few notable views beyond a tree-lined plaza, the architecture turns toward this freshness indirectly. Instead of large openings, the house establishes an angled way that senses the plaza's breeze without the harsh sunlight. Dwelling is framed diagonally and modestly, allowing only wind and the faint scent of the sea to pass through. The program places bedrooms and service areas below, while a light, double-height volume above holds the social spaces. Raised above the street, daily life is surrounded by air, trees, and the salty breeze. Terraces act as small contemplative platforms. Bedrooms are arranged around a patio, expressing intimacy through enclosure, while a curved wall and a single tree shape a gentle, welcoming threshold. The house turns inward like a refuge, yet opens upward to sky and shade, encouraging slower, more attentive living. Materiality heightens sensory experience. Whiteness brightens; concrete absorbs and softens light, warming with time. Light settles rather than reflects, creating spaces suited for contemplation and memory. Casa Tao offers quiet corners where dwelling becomes a form of pause and gratitude, and every shadow suggests well-being.

材質選用延續感知體驗，白牆在陽光中明亮，混凝土厚實的質地則營造溫潤調性。在這些材質中，光與暗隨時間沉澱，作為承載思索與記憶的容器。正如作家谷崎潤一郎《陰翳禮讚》所言：「陰影並非光的缺席，而是一種更細緻的觀看方式，是讓事物緩緩現形、以謙遜姿態呈現的薄紗。」

本案以光影引導感知，使每個空間皆成為層次豐富的感官場域。

This pursuit of shade recalls Junichiro Tanizaki's In Praise of Shadows, where shadow is not the absence of light but a subtler form of seeing — a veil that deepens space and reveals beauty slowly. Likewise, Casa Tao avoids assertive illumination, allowing penumbra to guide perception, so each space becomes a nuanced, quiet experience in which time thickens and life grows still.