中國湖北　樹屋營地

Wiki World｜個個世界

位於武漢一片候鳥棲息的水杉林中，隱約坐落著一處樹林營地，十餘棟樹屋錯落其間。基地以低干擾方式嵌入林間環境，使建築成為自然生態的一部分。樹屋沿樹梢高度而設計，回應鳥類棲息高度與林間節奏。同時作為自然共建計畫中的一環，透過實驗性的居住形式，持續探索人、建築與自然之間的多元關係。不同形態的樹屋，其設計靈感取自於基地中可觀察到的候鳥行為與在地自然元素，如鳥類、種子、植物和鳥蛋的特徵。以此傳達，建築不該是人類一廂情願融合於自然的手段，而是應該透過低干擾的方式，使建築回應自然既有的棲息理念。

"Merryda Wiki World．Secret Camp" is a forest retreat camp created by United Investment Merryda Hotel Management Group in collaboration with Wiki World. Located on Cihui Street in Dongxihu District, Wuhan, this project is set within a metasequoia forest inhabited by migratory birds, where over a dozen treehouses are discreetly nestled. It is a magical project—each treehouse seems to have evolved from the birds themselves, each one a friend to the birds perched among the treetops. On ordinary days, you can come here to chirp and chatter along with the birds, keeping them company. This project is also part of the "Wiki Building School" co-building with nature initiative, representing another attempt by our team to explore the diversity of living spaces.

Situated within a metasequoia forest frequented by migratory birds, the design draws inspiration from local avian life, seeds, plants, and bird eggs. Rather than imposing human-centered forms onto the site, the treehouses are conceived as elements that belong to the forest itself—structures that coexist with nature and quietly integrate into its existing order.

在這樣的脈絡下，每一座樹屋皆被視為一種具備性格的空間原型，並以富有想像力的名稱加以指認，作為空間氣質的延伸——時光機、白日夢、紅磨坊等命名並非情節敘事，而是對空間感受的抽象描述，使居住經驗介於現實與想像之間。

如「時光機」以銀色金屬外殼反射林間光影，如同一個被輕置於林中的未知物件。「白日夢」以鏡面金屬包覆量體，讓森林的影像不斷映入建築表面，模糊內外邊界，形成一處鼓勵放空與想像的棲居場景；「紅磨坊」則以強烈而純粹的紅色成為林中的視覺節點，如同舞台般的存在，讓自然成為不斷變化的背景；「獨角獸」以尖銳向上的輪廓隱身於樹林之中，銀色外殼在光影間若隱若現，彷彿一種尚未被完全辨識的生物。透過這些樹屋，建築不再只是提供住宿的容器，而成為一組介於自然、生態與想像之間的空間實驗，讓居者在林間短暫停留的同時，也重新感知自身與環境關係。

Therefore, Wiki World imagined that the migratory birds transformed into cabins, each with its own unique story and texture: Time Machine, Nomadic land, Playground, Daydreamer, Red Mindmill, and Unicorn. "Time Machine" is a silver time machine at the edge of the forest, as if gently placed there by a mysterious figure. It gleams like Doraemon's Anywhere Door, sparking curiosity about where one might travel upon entering. "Daydream" is a treehouse wrapped in mirrored metal, transforming the forest into a kaleidoscope of surreal reflections. In this private woodland, sunlight bounces off surfaces, blurring the lines between reality and illusion. This is a treehouse that encourages dreaming, where you can sleep up high among the birds. "Red Windmill" is the dancer of the forest, clad in pure, unadulterated red. The crimson space feels like a theater amidst the trees, with metasequoias and palm trees as performers swaying gracefully in the wind. "The Unicorn" resembles a mythical creature of the forest, draped in silver armor, its loft rising like a horn pointing skyward.

此場域除作為森林營地使用外，亦被規劃為一座開放式的森林美術館與自然學校，展覽與裝置藝術低調散佈於林間。設計全面保留基地既有樹木，並以極低干預方式介入自然，讓建築退居背景之中。樹屋皆採全架空的獨立開發預製木構系統組裝完成，地表不進行任何硬化或人工景觀處理。建構過程著重設計者與使用者之間的共同參與，最大程度保留水杉林原有的生態狀態。在這樣的環境裡，空間尺度被刻意收斂，使人更貼近材質與自然本身。人們得以放慢腳步，赤腳行走於林間，聆聽落葉在露台下被輕輕踩碎的聲音，重新感知身體與自然之間細微而真實的連結。

"Wiki Secrets" also functions as an open forest art gallery and a nature school, with exhibitions and spatial installations quietly dispersed throughout the woods. Consistent with Wiki World's long-standing respect for nature, every tree on the site has been preserved. All treehouses are built as fully elevated, independently developed prefabricated timber structures, allowing the ground to remain unhardened and free of artificial landscaping. In doing so, the original ecological character of the metasequoia forest is preserved to the greatest extent, while construction becomes a collaborative process between the design team and users.

The cabins intentionally adopt a compact scale. By embracing "smallness," the architecture brings occupants closer to materials and heightens their sensitivity to the surrounding environment. In the forest, one is invited to slow down—walking barefoot, listening to fallen leaves gently crushed underfoot on the terrace.

量體以膠合木結構為核心，所有構件與節點皆透過數位建模進行精準設計與製作，實現高度整合的全預製裝配系統。對於居住空間而言，並不存在單一標準答案，每一處住所皆反映居者對生活的不同理解；「兩米寬的家」正是在此思考下誕生的空間原型。

The entire building adopts a glued timber structure, with each custom-shaped component and joint digitally designed and precisely fabricated, achieving a fully prefabricated construction system. In terms of living space, there is no single standard answer—each dwelling reflects a personal understanding of life. From this idea, the concept of a "2-meter-wide home" emerged.

在構築方式上，建築被視為可模組化的組件系統，如積木般被安置於森林之中。小尺度木屋以最輕量的方式介入環境，外牆採用傳統手工燒製的炭化木板工法，保留材質原有的質地與時間痕跡。各棟樹屋之間透過小型金屬構件銜接，使結構得以重複組裝與調整。縱觀全案的建築手法，串聯起建築與自然之間的關係，讓自然本身成為承載建築的背景與場域。

Natural buildings are conceived as modular systems, much like Lego blocks. Small cabins are placed within the forest as individual units, lightly touching the ground. The façades are finished using a traditional charred-wood technique, with carbonized timber boards treated by hand. All cabins are connected through small metal components that allow for repeated assembly and disassembly. Through this approach, the project establishes a precise relationship between architecture and its natural surroundings.. Nature itself becomes the primary framework in which the architecture exists.