Audrey Irmas Pavilion, Los Angeles, USA

美國洛杉磯 奧黛麗艾瑪斯館

OMA

The pavilion is designed to be a machine for gathering, forging new connections with the existing campus activities and inviting the urban realm in to create a new civic anchor. OMA wanted the building to be iconic enough to be recognized as a new civic entity but subtle enough to complement the iconicism of the existing temple. OMA's approach is simple yet contextual. The starting point was a box: the all-too-generic model for an event space. The basic box is shaped with forms out of respect to the adjacent historical buildings on the campus. On the west side, the building slopes away from the existing temple, creating a thoughtful buffer and framing a new courtyard between the two buildings. The pavilion leans south, away from the historic school, opening an existing courtyard to the sky and bringing light in. The parallelogram simultaneously reaches out toward the main urban corridor, Wilshire Boulevard, to establish a new urban presence. The resulting form is carved by its relationship to its neighbors. It is both enigmatic and familiar, creating a counterpoint to the temple that is at once deferential and forward-looking. The facade draws from the geometries of the temple's dome interior. A single hexagon unit with a rectangular window is rotated to reflect the program within and aggregated to create a distinct pattern. The panels enhance the building's volumetric character while adding a human-scaled texture that breaks down its mass. Event spaces often sacrifice character for flexibility. Here, flexibility is provided through diversity in scale and spatial characters for gathering. The pavilion consists of three distinct gathering spaces expressed as voids punctured through the building—a main event space (large), a chapel and terrace (medium), and a sunken garden (small). The three spaces are interlocked and stacked one atop another to establish vantage points in and out of each space. Within each space are a series of openings that filter light and frame views to the temple and historic school, reorienting visitors to the complex and beyond.

 

At the ground level, the main event space echoes the temple dome by lowering the arc and extruding it north across the site to connect Wilshire Boulevard to the school courtyard. In its full length, the vaulted, column-free expanse has the capacity to host diverse programs such as banquets, markets, conventions, performances, and art events. An oculus provides a view through the void above to the dome of the historic temple. On the second level is a more intimate chapel and outdoor terrace. The trapezoidal room and terrace face west, framing the arched stained glass windows of the historic temple. A third void is a sunken garden that connects smaller meeting rooms on the third floor to the rooftop event space with expansive views of Los Angeles, the Hollywood sign, and the mountains to the north. Together, the voids establish a diverse collection of spaces for multiple purposes—from sermons and studies, to b'nai and b'not mitzvah and concerts, to work and relaxation.

 

 
奧黛麗艾瑪斯館(Audrey Irmas Pavilion)的設計初衷,便是希望能成為市民生活的新據點,為現有聚會、交流活動帶來不同風貌,也能更融入四周的都會環境。OMA期望獨特的設計能成為一代經典,同時也能巧妙襯托原有的聖殿。奧黛麗艾瑪斯館的設計理念以「箱子」(Box)這個最基本、最單純的空間為本,再從周圍的歷史建築借鏡。在符合歷史脈絡的情境之下,將設計發想回歸到空間的本質。平行六面體的奧黛麗艾瑪斯館向東南方傾斜、背離聖殿,與聖殿間產生的縫隙便成了天井,引明亮日光入室。東側斜邊下營造出一座中庭,巧妙地成為新舊風格的緩衝。建築的設計和周遭環境密不可分,場館向威爾希爾大道(Wilshire Boulevard)靠攏,與城市接壤,成為洛杉磯當代新地標。神秘又熟悉的造型看似前衛,與莊嚴的聖殿風格不盡相同,但又能從細部中察覺到向聖殿致敬的意味。牆面的幾何造型靈感汲取自聖殿圓頂的內部結構。六邊形面板鑲嵌方向不一的長方形窗戶,互相拼接成貌似蜂巢的獨特圖形。面板驚人的數量反映出場館壯觀的體積,匠心獨運的手法又化解拒之門外的冷漠感,不至於讓人望而卻步。這裡的活動會場安排十分巧妙,沒有為了活用空間而犧牲風格特色。三個不同規模的聚會場所貫穿全館不同樓層,成為靈活運用空間的利器。空間由大至小依序為:主會場、中型會堂與戶外陽臺,以及最後的下沉式花園。這些形體各異的空間互相搭配、堆疊,門戶彼此串連。每個空間都安排了對外窗或是陽臺,偌大的窗戶引入自然光同時,也化身成周圍歷史建築的畫框,將聖殿和歷史學校宏偉的樣貌時刻呈現於人們眼前。
 
位於地面層的主會場和聖殿圓頂設計相映成趣,稍低的圓拱蒼穹貫穿南北,連接威爾希爾大道和歷史學校。拱形的會場不見一根柱子,空間通透開闊,可供舉辦各式活動,舉凡晚宴、市集、會議、藝文表演等皆適合。會場巧妙地安裝了天窗,抬頭望去便會看到聖殿圓頂,與場館的設計遙相呼應。二樓設有較隱密的梯形會堂和戶外露臺,從面西的窗戶向外眺望,對側聖堂的彩繪玻璃窗好像被裱框似,站在窗前就像欣賞一幅畫。跨樓層的下沈式花園連接三樓小型會議室和屋頂開放空間,為設計另一大亮點。登上頂樓空間,你將看到洛杉磯市景及知名的好萊塢標誌,連北側延綿的山脈都能盡收眼底。奧黛麗艾瑪斯館靈活的空間,能創造出多種運用方式。從佈道到讀經,舉行成人禮到舉辦音樂會,多功能的場館能兼顧辦公和各式休閒活動。

Partner-in-Charge: Shohei Shigematsu

Associate-in-Charge: Jake Forster

Executive Architect: Gruen Associates

Structural Engineering: ARUP

Contractor: MATT Construction

Total Floor Area: 5,070 m²

Photos: Image courtesy of OMA New York.Photography by Jason O`Rear

Interview: Rowena Liu

Text: OMA

 

主要負責人:Shohei Shigematsu

副主管:傑克.福斯特

執行建築師:Gruen Associates

結構工程:ARUP

施工單位:MATT Construction

空間面積:5,070平方公尺

影像:由紐約OMA提供.攝影:傑森.奧雷

採訪:劉湘怡

文字:OMA

OMA
Office for Metropolitan Architecture,簡稱為OMA,是荷蘭建築師雷姆.庫哈斯在鹿特丹成立的。1975年創辦,創辦人除雷姆.庫哈斯外,還有 Elia Zenghelis 與 Madelon Vriesendorp 和 Zoe Zenghelis。
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