Floating Hotel, Anji, China

中國安吉 漂流飯店

MORE Architecture

此案位於素有「中國竹鄉」之稱的安吉縣南方,為該處首座建築,由於落址高聳山頂,團隊採鋼構建造量體,並以鋅為材,打造典型的大片折疊式屋頂,旨於透過該金屬特性,突顯其摺疊樣態,且待隨歲月流逝,金屬表面亦將呈現美麗色澤。屋頂外型形似中國傳統建築,且輪廓與周圍山脈相呼應,不僅成為自然與建築之間的橋樑,更藉其獨特模樣吸引人們來訪。

 

The Floating Hotel is the first building in Dachangping, a mountainous area in the south of Anji. The challenge of lifting the building above the mountains made the architects decide to use a steel structure for the building. The architects used the classic idea of a large, striking roof that brings people together. For the folded roof, they used zinc, since it would accentuate the idea of the fold very clearly, and it will age beautifully over the years. The roof is reminiscent of the traditional Chinese roof, but its shape is also an echo of the surrounding mountains.

此量體高達8公尺,一、二樓懸空,坐擁壯觀的群山之景,建築下方則形成極為寬闊的公共區域,並設有游泳池和試衣間。一樓為居住空間,共十八間房,客人需藉戶外樓梯方可進入房內。團隊藉由打造三種不同房型,以及少見的廊道設計,嘗試打破一貫的飯店布局。單人房內部狹長,兩側窗戶可俯視山景;雙人房環境寬敞,坐擁遼闊景致;大型套房則安置於量體四個角落,使人能一覽全景山海;室外廊道則蜿蜒於房外並採開放式設計,藉此達到人景的相融與對話。

 

The steel columns raise the hotel eight meters above the hills, creating a dramatic space under the building. This is where the swimming pool with changing rooms was designed. By lifting the building, nature runs uninterruptedly beneath the hotel. The hotel's eighteen rooms are remarkably located under the main amenities. Hotel guests go to their rooms via staircases in the outdoors. “For the floor with the hotel rooms, we decided to defy the conventional hotel floor plan layout”, says Roggeveen. The single-loaded rooms are narrow, with views to both sides. The double-loaded rooms are extremely wide with great views. The suites are positioned on the corners of the building and offer views in two directions. The outdoor corridor winds past these rooms. The hotel has no closed corridors, so guests are in constant contact with nature and the environment. Instead of the corridor access, which is so typical in hotels, the architects designed three different room types in the hotel.

Under this folded roof, the architects created four different transparent collective spaces: the lobby, a yoga room, the restaurant, and an event space for weddings and parties, overlooking the dramatic valley. Guests move under the roof, over the terrace through the open air, from one glass room to another. Through the French doors, the terrace forms the transition between inside and outside. To create a nice and warm atmosphere in the hotel, MORE used a careful selection of wood for the floors, the ceilings, and the fit-out of the rooms. The wooden furniture, including the beds and tables, was designed by the studio as well. For the desk and bars, they used terrazzo.

 

二樓場域包含四個通透空間,依序為門廳、瑜伽室、餐廳,以及可供舉辦婚禮或派對的活動空間,三座露天平臺穿插於各場域間,並藉落地玻璃門與室內相隔。穿梭其中,除了能俯瞰壯觀的山巒景致,亦可感受室內外場景之過渡。此外,為了營造溫馨舒適的飯店氛圍,室內環境如地板、天花和房間,甚至是床架與桌子皆以木頭製成,辦公桌和吧台則選用水磨石,流露出細緻質感,並與木材的溫潤相輔相成,形成亮眼的空間點綴,亦造就溫柔且精緻的空間表情。

主要建築師:達安.羅格文

結構建築:ECADI

施工單位:浙江大東屋建築公司

空間性質:飯店

建築面積:6000平方公尺

主要材料:鋅.鋁.玻璃.木材

主要結構:鋼構

座落位置:中國安吉

影像:克里斯.普羅沃斯特

文字:MORE建築師事務所

採訪:蘇新婷

 

Principal ArchitectsDaan Roggeveen

Structural EngineeringECADI

ContractorZhejiang Dadongwu Construction Company

Character of Space Hotel

Building Area6000 m2

Principal MaterialsZincAluminiumGlassTimber

Principal StructureSteel

LocationAnji, China

PhotosKris Provoost

TextMORE Architecture

Interview:Chloe Su

MORE Architecture
MORE Architecture is a progressive international design agency with a focus on inclusive design processes, densification and reuse, which aims to make a positive contribution to the built environment. MORE was founded in Shanghai in 2012 and is currently based in Amsterdam. The office is led by founder and creative director Daan Roggeveen.

Daan Roggeveen has published several books on urban development, including the critically acclaimed 'How the City Moved to Mr Sun – China's New Megacities', and more recently 'The Amsterdam Agenda – 12 Good Ideas for the Future of Cities'. He writes columns about spatial development and hosts a well-listened podcast about high-rise buildings on the Architectenweb platform: 'Tower of Babel' .
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