Damião de Góis Museum and the Victims of the Inquisition, Alenquer, Portugal

葡萄牙阿倫克爾 達米昂德戈伊斯博物館

spaceworkers

Intervening in an existing building is in itself a good challenge, when we have added centuries of history to the pre-existence, the challenge is even greater. The intervention focuses on the creation of an exhibition structure, alluding to the life and historical legacy of Damião de Gois, inside an old, restored church in Alenquer. The church, now emptied of this function, is now a "container" space with its own identity, marked by the geometry of its vaulted ceilings and the texture of its brick walls, with great plastic value. The proposal seeks precisely to value the plastic characteristics of space and minimize its impact on pre-existence, respecting the existing, moving away from the walls, seeking a central position in space, assuming a geometry that is familiar to the building, originated by an offset to the shapes of the ceiling and walls, capturing the configuration of the void that exists in a kind of dark colored, fragmented nucleus that receives and organizes the exhibition and the visitors.

 

 將現有建築改變與重建本身就是一個具挑戰性的任務,當必須在原有量體上再添加了幾個世紀的歷史時,責任便更大。本案所介入的重點是在 Alenquer 一座修復過的老教堂內,創造一個展覽結構,並意象 Damião de Gois 的生活和歷史遺產。這座教堂的功能已被徹底剷除,現在是一個擁有自己特色的「容器」空間,其拱形天花板的幾何形狀和磚牆的紋理,都標誌著極高的可塑性價值。這項提案正是要珍視空間的可塑性特質,並盡量減少其對先前存在的影響,尊重現有的空間,遠離牆壁,尋求空間的中心位置,假設建築熟悉的幾何形狀,起源於天花板和牆壁形狀的偏移,捕捉存在於一種深色、零碎的核心中的空隙配置,以接收和組織展覽和參觀者。

 

This nucleus, although fragmented, gives the visitor an idea of virtual continuity, where their voids are understood as moments of pause and contemplation of the existent and as moments of penetration inside the nucleus, exploring this ancestral relationship of interior and exterior, which has fascinated us since the beginning of the project. The exhibition space is assumed as a delicate black element that invites its discovery and that stands out from the remaining chromatism of the existing space, without ever overlapping it but without losing its spatial characteristics.

 

即便此核心是支離破碎的,但卻帶給參觀者一種虛擬連續性的想法,其中的空隙被理解為暫停和沈思存在的時刻,以及滲透到核心內部的時刻,探索這種內部和外部的祖先關係,這令人著迷。展覽空間被認為是一種微妙的黑色元素,它邀請人們發現它,並從現有空間的剩餘色彩中脫穎而出,既不重疊,又不失去其空間特徵。

 

主要建築師:恩里克.馬克斯 魯伊.迪尼斯

空間性質:博物館

座落位置:葡萄牙阿倫克爾

影像:費爾南多·格拉

文字:spaceworkers

採訪:王韻如

 

Principal ArchitectsHenrique MarquesRui Dinis

Character of SpaceMuseum

LocationAlenquer, Portugal

PhotosFernando Guerra®

Textspaceworkers®

 

InterviewAna Wang 

spaceworkers
The spaceworkers®, arises from a desire common to all three mentors of the project, Carla Duarte, Henrique Marques and Rui Dinis, to create a “brand” capable of representing a transversal approach between areas as diverse as architecture, economics, the Design and Mobiiário, proving to be possible and even recommended a complementarity between these different areas. The sharing of the same way of being in the world of architecture and willingness to innovate and grow, has undoubtedly been the start for the creation of this workshop.
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