波蘭拉卡源自庭院山莊

KWK Promes｜KWK頗汨使建築事務所

"From The Garden House" project was an unusual experience for us. The owner had a finished project of the garden, in advanced stages of implementation. And only the house was missing. Something that at first seemed to be a ridiculous reversal of the course of things, once it was explained, became absolutely logical for us. He wanted to be able to enjoy the garden to its full extent after the completion of the construction and moving in. Plants need much more time to reach their target size than it takes to build even such a large house. You might plant big trees after all, however, it is costly and not environmentally friendly.

The ground floor is contrasted with the white minimalist body of the floor. Two different geometries clash, and a softly cut atrium is a link between both floors. The garden surrounding the house from almost all sides flows into its interior through the semi-atrium at ground floor level. We had only a minimal influence on the garden, so we treated it as a natural element that cannot be chosen. Hence the name of the design.

Another important aspect was the investor's wish to expose his rich art collections. Therefore, on the ground floor and the first floor, we created additional, large-size spaces designed exclusively for art exhibition. The host can organize vernissages for a large number of people. Moreover, we placed the most important functions of the house within close proximity to each other to make it user-friendly.The large shutters on the south and west elevations are not only of formal importance - finished with the same plaster as the walls, they close up the building in a uniform shape and, above all, protect valuable art collections from harmful sunlight.

「源自庭院山莊」企劃對我們來說是一次難得的體驗。在房屋企劃開始之前，業主的庭院設計業已竣工；只除了不見踪影的房子。這情況乍看之下似乎有些荒謬，像是建設順序倒轉了一樣。但經過業主的解釋，一切都變得非常合理了；業主希望能夠在房屋落成並搬遷入內時，能夠立即享受庭院的風光。與建造一棟大房子相比，植物需要更多的時間才能長到心儀的大小。當然，我們可以選擇直接栽種合適的大樹，但這不僅造價昂貴，而且也不環保。

白色的簡約主體風格讓一樓和周遭環境形成了鮮明的對比。兩種不同的幾何形狀產生了美妙的碰撞，而柔和的中庭則切入了樓層之間。周圍的庭院層層包裹住了房屋，像是要通過一樓的半中庭空間從四面八方湧如室內似的。房屋的設計對庭院的影響微乎其微，皆因我們將庭院視為必不可少的大自然元素。這也是本企劃的名字由來。

這項企劃另一項需要慎重考量的部分，則是業主希望能夠展示他豐富的藝術收藏品。因此，我們在一樓以及二樓開闢了一個專為藝術展覽而設的廣闊空間，讓業主能夠組織許多人前來欣賞這些藝術品。除此之外，我們也將屋內最重要的功能安排在相近的地方，方便用戶使用。南側和西側的大型百葉窗鋪上了和牆壁相同的灰泥，並不僅是為了一致的風貌，更是因為它們用統一的形狀包裹整棟房屋。而且最重要的是，這樣的設計能夠保護珍貴的藝術品，免受有害陽光的照射。