智利雲蓋　ROSA十字休憩亭

Pezo von Ellrichshausen

In its humble dimensions, this shelter occupies the only geographical inflection on the course of a harsh mountain river. Standing alone at the top of a small hillrock, there rests a platform with a slender column at its center. The platform is barely separated from the terrain by means of four thick columns placed at the middle point of every side. Not only static but seismic, the rotational stress of this concrete structure is controlled by crossed and diagonal beams embedded into the slab. There is a compressed room under this opaque platform, with a structural chimney at its gravitational core. Following the column order, two corners have fixed glass panels and the other two have sliding panels that can be left as open balconies.

該案坐落於嚴峻山河中唯一的地勢轉折點，因此孤傲地矗立於山石頂端，成為該自然環境中唯一的人造產物。休憩亭以一道長柱為核心，再以四根圓柱將露天平台向上抬離地面，而混凝土結構由嵌入頂板中的橫樑交叉構成，使其可應對地質的自然波動，繼而保持空間的安全性。露天平台下方的透明方形空間為健行遊客的休憩場所，由作為火爐及煙囪的中心柱所支撐，並將四面玻璃的其中兩面裝設滑動面板，可彈性作為開放式陽台。

The interior can be understood as a hut lacking interiority, as a single room barely divided into four equivalent quadrants, with a minor variation given by a detached, monolithic staircase at one corner. Over the roof terrace, the chimney becomes the central pole of a rudimentary sundial (for an imaginary record of circular time). Thus, the experience of this place is bound to its double nature. Depending on the position under or over the artificial ground (a handmade horizon measured with water level), it might resonate with the carved or the aerial world, either a cave or a cloud. Metaphors aside, the physical effort of climbing up the hill, at least for a foreign sightseer, should be compensated with an intimate meeting by the fire.

位於露天平台上的高聳長柱成為簡易的日晷，在這片境外之地記錄著時間的意象，沿著四方亭一隅的獨立台階拾階而上便可抵達，設計團隊以此水平面做為二向性的分隔，藉此，人們可向下進入玻璃洞穴之中，抑或向上攀登，與浮雲、廣袤天地萬物共遊，造就此案在結構與體驗上的雙重性。而對嚮往浩瀚山河而前行至此的登山者而言，此處的溫暖營火，則彷彿慰藉般令人感到無比珍貴。