墨西哥哈利斯科瓜達拉哈拉 Arca集團公司

A quarry is the evidence of man's action on nature; a universe in which men unintentionally sculpt pleats and volumes that result in a strange and visually striking geology. A manufactured landscape, an organic architecture created by the trace of the search for raw materials, which brings us back to the origin from which the raw materials come. The captivating and unique nature of this landscape nourishes the concept.
採石場是人類影響自然的證據;人們在無意之間雕鑿出褶襉和量體,構成引人注目的奇特地貌。採石場屬於一種人造地貌,乃是有機建築,揭露人們尋找原料的蹤跡,帶領我們回到原料的起源之地。這種地貌迷人獨特,賦予了本建築概念的靈感。



The access through a small opening in the monolithic facade links the visitor with the central space of monumental character, the "arrival to the quarry", the Agora. It is the starting point to begin a new journey of museographic character, where the multiple exhibition halls - with materials of diverse characteristics - are articulated around the Agora, creating a dynamic and versatile experience.
整體式立面有個小開孔當作入口,訪客可由此通往號稱「抵達採石場」(arrival to the quarry)的龐大中央「會場」(Agora)。這是博物館特色之旅的起點,數個以不同特色材料打造的展廳圍繞著「會場」展開,營造動態多樣的感官體驗。



The concept moves away from traditional retail space and promotes learning and dissemination, understanding of why and how architecture, design, art, and culture are generated in our country and worldwide. A platform that stimulates dialogue and knowledge; and establishes a relationship of mutual benefit with the community, its clients and partners; its main objective is to promote involvement in the construction of the cultural and creative expression of Mexico. The building is divided functionally and physically into two universes. Two separate volumes that are woven and related to each other: the universe of the quarry (which houses the Agora, the design center, the cafeteria, and the multipurpose room) and the warehouse, in which the experience ends.
設計概念有別於傳統的零售空間,可促進學習和傳播訊息,讓人了解墨西哥與世界各地如何和為何打造建築、從事設計和推展藝術文化。這是促進對話和知識的平台,能讓社區、客戶和合作夥伴建立互惠互利的關係,其主要目標是提升墨西哥文化與促進創造力。本建築分成兩個功能和形體迥異的區域。這兩個獨立量體彼此交織互聯,它們分別是採石場區域(包含會場、設計中心、自助餐廳和多功能室)和感官體驗終點的倉庫。


This warehouse acts and expresses itself as a container and distribution center, a translucent and neutral space, a canvas that grants the relevance of the scene to the stones and that is framed in the background by a forest that links us again with the origin of matter. Technology plays a vital role because it allows the interaction of mobile devices with materials through QR codes. Thus, it immediately provides the user with the information, description, and costs of the selected materials, and allows the creation of a database of the contents of interest and the client's history, as well as analyzing trends and purchasing behavior.
倉庫可當作集裝箱和配送中心,不但是半透明的中性空間,也是一張畫布,將相關的場景映射於石塊上,背景為一片森林,再次將我們與物質起源聯繫起來。科技在此發揮至關重要的作用。客戶可用行動載具掃描行動條碼來與材料互動,立即獲取挑選材料的訊息、說明和價格,與此同時,電腦也會建立資料庫,保存客戶感興趣的內容與客戶歷史,同時分析趨勢和購買行為。

Character of Space:Powerhouse
Client:Entra ASA
Entrepreneur:Skanska
Environmental Organization:ZERO
Consulting Company:Asplan Viak
Total Floor Area:17,800 m²
Solar Panels on Roof:1,886 m²
Principal Materials:Black Aluminum.Solar Panels
Location:Trondheim, Norway
Photos:Ivar Kvaal.Synlig.no
Interview:Rowena Liu
Text:Snøhetta
Collator:Finn Ho
空間性質:供能大樓
業主:Entra ASA
合作企業:Skanska
環保組織:ZERO
顧問公司:Asplan Viak
空間面積:17,800平方公尺
屋頂太陽能板面積:1,886平方公尺
主要建材:黑色鋁合金.太陽能板
座落位置:挪威特隆赫姆
影像:伊瓦.克瓦爾.Synlig.no
採訪:劉湘怡
文字:斯諾赫塔
整理:何芳慈
Los diseños de Esrawe comprenden gran variedad de tipologías, desde mobiliario, piezas de edición limitada, interiorismo, arquitectura, instalaciones en el espacio público y museografía. Héctor cree firmemente en la colaboración y en la interacción multidisciplinaria, lo que le ha permitido trabajar con otros estudios de diseño y arquitectura, urbanistas, artistas, curadores y escenógrafos. Este entusiasmo le ha llevado a ser cofundador de EWE, VISSIO y MASA, que tienen como objetivo promover el diseño coleccionable mexicano. También es socio fundador de la marca de perfumes Xinú y de Casa del Agua.
Su trabajo le ha valido reconocimientos internacionales -se encuentra en el Top 100 de Creativos 2021 de la revista AD Alemania- y premios como: Estudio de Diseño de Interiores del Año por Dezeen Awards. Best of Year, Dezeen Award y Azure Award (premio al mérito) 2020 por Tori Tori Santa Fe; el Premio Firenze Entremuros 2019 al Mejor Interiorista de México; Best of Year Award 2019 por el Design Center de Grupo Arca en Guadalajara; AZ Award 2018 por el restaurante El Califa, Jury Prize and People’s Choice en FRAME Awards 2018 por el Pabellón Anual Arca; Wallpaper Design Award 2018 por Xinú e Interior Practice of the Year en World Interior News 2018, entre otros. Su obra está presente en la colección permanente del High Museum of Art de Atlanta, con la banca Centípede y la colección de joyería Vestigios.