北京 旅宿

位於鄰近熱門景點的街區中，本案基地原貌荒蕪且頹敗。為此，團隊以三大要素作為設計核心：「流動」、「連接」與「延伸」，全面梳理整體結構，以最小的程度進行改造，不拆除重建，而是整合可留的原有結構，並以幾何形態與環境融合為設計哲學，為場域注入嶄新的生命與體驗。

Located just two kilometers from nearby attractions, the project occupies a key position at the southeast corner of the village crossroads. When Atelier d'More first arrived, the site lay in ruin: collapsed roofs, overgrown courtyards, and warped doors and windows. Once an unfinished B&B, the property was entrusted to the studio for a complete transformation while maintaining its original function.

量體設計由略為前傾的姿態展開，以入口拱門四個邊角為起點，線條向外延伸至建築邊緣，逐漸轉化為柔和的弧形凹口，使原先平整的立面呈現雕塑般的張力與層次感，並形塑新的結構框架。這道曲面入口同時具備雨棚的實用功能，卻以極為自然的方式融入整體結構之中。純白的立面語彙延續至建築細節之中，使建築在理性與美感之間取得和諧平衡，成為整體空間氣質的延伸與註解。

Guided by their core principles of flow, connection, and extension, Atelier d'More sought to integrate geometric form with its surroundings. The original façade's disorganized mix of flat and sloped roofs created a monotonous streetscape. To redefine its image, the architects introduced a subtle forward motion to the structure. Lines extended from the entrance arch to the building's edges, forming a new framework that curves inward to create a sculptural, recessed entry. This dynamic form doubles as a canopy, blending seamlessly into the architecture. Flowing lines and endless white tones lend the building a quiet rhythm and poetic sensibility.

空間佈局大致保留原有框架，僅重新規劃動線與功能分區。經過仔細思量後，將前院的三間客房合併為兩間，騰出公領域空間，包括休息區、用餐區、接待櫃等。位於斜屋頂下的三個空間，則沿用鋼結構夾層，順勢改造為閣樓式家庭套房。隨著中央公區的確立，原先格局中的前後院落轉化為場域核心，串聯起民宿的整體動線。前院被設計為對稱且有秩序的空間，以純白調性營造靜謐氛圍的開放式庭院；後院則提供房客一處可自在休憩的角落。中央大廳成為兩座院落之間的連接通道，大片落地玻璃使光線與視線在此交織流動，內外景致相互滲透，形成開闊的空間體驗。

The layout retains much of the original framework. Two of the three rooms in the front courtyard were merged into a public area — including a lounge, dining space, reception, linen room, and restroom — while three steel-structured rooms under sloped roofs became loft-style family suites. With the central public space as its core, the two courtyards anchor the entire site. The two courtyards, which existed in the original layout, evoke a sense of inward peace. We defined the front courtyard as an open space with symmetrical and orderly structures on both sides, creating a spiritual and serene white courtyard. The rear courtyard, in contrast, is relatively enclosed, providing guests with a private outdoor retreat for relaxation. The main hall acts as the connecting medium between the two courtyards, with large, transparent floor-to-ceiling glass surfaces allowing light and views to flow through.

極簡的材料與裝飾貫徹於本案理念，從建築外牆、屋頂排水口、前門，至室內房門等構件，皆以數位化方式預製，再由工匠於現場手工完成。現場「誕生」的手工製品，相較於現成品，更能體現與自然共生的純粹理念。一體式的構建脈絡確保了空間的連貫與和諧性，使獨特的設計語彙隨時間的流逝而愈發豐富、深邃。

True to Atelier d'More's pursuit of purity, the design uses minimal materials and restrained decoration. Most elements — from exterior walls and spouts to doors, bed frames, and furniture — were digitally prefabricated and handcrafted on-site, blending architecture and craftsmanship. Only a few essential ready-made pieces were added, allowing every detail to grow naturally from the space itself and form a unified, enduring language of design.

主要設計：王維．陸志毅．盛樂

空間面積：200㎡

主要建材：多層板．水洗石．無機塗料．聚碳酸酯板

座落位置：中國北京

影像：多麼工作室

採訪：何雯意

核稿：陳宗瑩