澳洲雪梨　新南威爾斯美術館

SANAA

The Art Gallery of New South Wales sits on the gentle slope of Sydney's Domain parkland, a spectacular site adjacent to the Royal Botanic Garden overlooking Sydney Harbour.

The terrain of the site is diverse. There is a 20-metre rise from the harbour to Art Gallery Road, where the Art Gallery's front door is located. Adjacent is a land bridge that connects the Art Gallery to the Botanic Garden. At the lowest level of the site are two decommissioned oil tanks that were used during the Second World War. These tanks, roads, and the land-bridge shape the site and we can see Sydney's history of modernisation.

The new building is composed of a series of pavilions of various sizes and gallery volumes, which sit lightly across these elements. The low roofs step and shift gently along this topography to preserve existing significant trees, sight lines, and the contour of the site. Connecting the existing and new gallery buildings is a civic plaza – the Welcome Plaza – a shaded outdoor area connected to the Entrance Pavilion of the new building that acts as a shared space for the community. It is a large open plaza into which many activities can spill simultaneously. We envision a space where visitors and school groups can gather casually, meet new people and prepare for their visit to the Art Gallery. From inside the Entrance Pavilion, visitors can then see down into an atrium, glimpsing art, activities, and landscape beyond. Exhibition spaces are spread across the various levels of the building. The Aboriginal and Torres Strait Islander gallery is on the entrance level with a glazed wall facing the existing building and a window with a view of the harbour. At the lowest level, the southern oil tank has been preserved and adapted to house major art commissions and installations. Visitors are led slowly downward through the site, bringing them closer to the harbour.

由 SANAA 設計的新南威爾斯美術館，坐落在雪梨 Domain 公園一處壯闊緩坡之上，比鄰著俯瞰雪梨港的皇家植物園。

美術館的基地環境相當多變。首先，穿越一旁的高速公路，雪梨皇家植物園與它比鄰而居；而從雪梨港到新美術館，共有 20 公尺的上升空間，直通建築前門；基地最底層則有兩個歷經第二次世界大戰的退役油庫。上述這些元素，形塑出現在人們看到的雪梨。

新建築由一系列大小不等的展館與畫廊組成，且為保護基地裡的重要樹木、視野與景觀，展館之間錯落排列，屋頂也沿著地形緩緩變化。新建的市民廣場則串連起新舊美術館，同時也連接到新建築的戶外乘涼亭，充裕的開放廣場提供許多活動發生進行，旨在歡迎各界共享。團隊想像著一個空間，一個遊客和學校團體可以在這隨興聚會、結識新朋友的空間。因此身處展館內部，遊客可以往下看到中庭，更可一瞥遠處的藝術品、活動和景觀。展覽空間分布在建築各個樓層。原住民和托雷斯海峽島民畫廊位於入口層，其中玻璃牆面向現有建築，窗戶則可欣賞海港景色。最底層的油箱被局部保留並進行改造，以容納主要的藝術委託和裝置。參觀者依著建築動線被緩緩引導向下，直至他們更接近海港。

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Three central roofs are accessible, creating linking terraces that feel like an extension of the paths from the Domain and the Botanic Garden, offering additional views across the precinct. Circulation both inside and out follows organic paths that resonate with the existing terrain and surroundings. By integrating art, the topography of the site, and the surrounding landscape, we hope to create an art museum experience that is distinctive to Sydney.

美術館三個中央屋頂皆可步行抵達，其錯落的梯田形式彷彿皇家植物園的延伸，共同創造更壯闊的景觀。重要的是，美術館的內外動線及視覺，與當地環境有著有機呼應。該案透過將藝術、基地和周圍景觀融為一體，創造出雪梨獨有的美術館空間體驗。