Threshold and Treasure|ATIPOGRAFIA Gallery in Arzignano, Italy

義大利 阿爾齊尼亞諾畫廊

AMAA Collaborative Architecture Office For Research And Development | AMAA 協同架構研發辦公室

'Threshold and Treasure' aims to pay tribute to the work of Mats Bergquist. It is precisely in the space of the threshold that the meaning of the entire project unfolds: thus, the entrance becomes both work of art and urban system.

 

設計團隊將該計畫稱作 Threshold(門檻)and Treasure(珍寶),旨在向瑞典藝術家 Mats Bergquist 的作品致敬。整個項目的意義,正是在一系列由門檻構成的空間中得以展開。因此作為起始點,建築入口既是藝術品,也是城市體系的一部分。

The path is designed with the aim of gently leading the visitor inside the exhibition area from the furthest side: the place unveils itself gradually, following a closed sequence of crossings, one threshold at a time. On the ground floor, one can rediscover the garden and its twisty path: also the exit is a discovery. At this point, there are some more details that can be perceived, such as the bench inviting the visitor to stay for a little longer and think about their experience.

 

整體路徑設計,為的是從最遠處緩慢引導參觀者進入展覽區。藉由動線鋪陳,人們穿越一個又一個門檻與一系列的交叉路口,逐漸揭開藝廊的面紗。漫步在戶外花園裡,人們會重新探索當中的曲折小路,包含出口位置也是充滿未知。身處其中,感知被放大,體會更多細節,例如長凳除了休息,更多是邀請遊客多加停留,花點時間沉澱、反思他們位於空間的經歷。

This expedient focuses on the visual perception of the viewer, making the eye attentive to the layers and, at the same time, appeasing it, thanks to a background suitable for experiencing art pieces in an inevitable dialogue with the existing building. Precisely by the visible original wall, the presence of a third threshold can be perceived: the memory of what used to be a typography and, before that, a barn, leads to the discovery of a whole different spatiality, which is authentic since it has been freed from the additions of time. Here, in the background, is located a discrete volume of visible reinforced concrete. The longitudinal development of the great hall entirely opens up revealing an additional threshold: a glass and steel cage which expands the space unveiling the internal court, almost as if it was a treasure.

 

這種層層遞進的手法,在於著重於觀眾的視覺感官,使視覺留意層次並輕撫空間。在原始牆體的襯托下,新門檻與門框等存在更加鮮明,此外,框架也建構出建築過往的歷史記憶——穀倉,讓它以某種形式跳脫時間,如實的呈現在當代。此外,一座獨立的鋼筋混凝土量體位於背景之中。設計團隊將大廳的縱向牆體完全敲除、敞開,露出一座如側廊般的鋼構玻璃框架,其擴大了內部空間並揭示了內部庭院,彷彿打開藏寶箱般窺見寶物。

Design Team:Marcello Galiotto.Alessandra Rampazzo.Mario Azzarello
Structural Engineering:Claudio Lorenzetto
Contractor:Il Grifo S.r.l.
Character of Space:Gallery
Site Area:990 ㎡
Principal Structure:Concrete.Steel.Glass
Location:Arzignano, Italy
Photos:Simone Bossi
Text:AMAA. Collaborative Architecture Office For Research And Development 
Interview:Grace Hung

設計團隊:馬塞洛.加利奧托 亞歷山德拉.蘭帕佐 馬里奧.阿扎雷洛
結構工程:克勞迪烏.洛倫澤托
施工單位:Il Grifo S.r.l.
空間性質:藝廊
基地面積:990 平方公尺
主要材料:混凝土.鋼材.玻璃
座落位置:義大利阿爾齊尼亞
影像:西蒙尼.博西
文字:AMAA. Collaborative Architecture Office For Research And Development 
採訪:洪雅琪

AMAA Collaborative Architecture Office For Research And Development | AMAA 協同架構研發辦公室
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