An's House, Taipei

台北廖宅

協同創作 | UUU DESIGN INC

座落於市中心的住宅高樓層，基地雖受限於密集的都市條件，但因位居頂層而擁有相對開闊的視野。設計團隊以窗景出發，將空間端景重新梳理，恢復空間原有的開闊感，讓前方的101地標如同一幅被框選的畫面，成為視覺亮點。透過窗框包覆與細緻斜面的處理，讓日常所見多了一份光景。

Located in the city center, the apartment faces the constraints of a dense urban setting, yet its top-floor position affords comparatively open views. Taking the window as a point of departure, the design team rearticulated the spatial endpoints to restore a sense of openness, framing Taipei 101 like a carefully composed picture within the interior. Enveloping window frames and subtly angled surfaces introduce moments of pause, lending everyday views a sense of calm and visual breathing room.

屋主長時間於家中從事影像拍攝與內容製作，空間不僅是居住場域，每個角落皆須兼顧充足採光與簡潔的拍攝背景。設計在格局與動線上，以「穿透」取代封閉：公領域中的工作空間設於玄關側邊，透過全開式拉門與大面落地窗，在日常使用與拍攝需求之間保有彈性切換。狹長比例的客廳尺度未刻意打破，而是藉由家具配置與燈光層次重新界定使用方式；相近色系與圓潤量感的家具，使場域呈現如展示般的狀態。投影設備取代傳統電視，讓牆面維持純粹，也使視覺焦點得以自然游移。餐廳與廚房選用升降式抽油煙機，與周遭家具維持簡潔而不喧嘩的調性；私領域則回到更為放鬆的節奏。主臥放大浴室與更衣室尺度，以回應兩人的生活需求，並透過帶有燈光效果的鏡面配置，讓浴室成為房內視線延伸的端景，維持臥室的通透感。客房為親友提供短暫留宿使用，配置行李平台與開放式吊掛，使來者於此感受飯店般的脫俗氛圍。

As the homeowner spends long hours producing visual content at home, the residence was conceived as both a living space and a environment for work and filming, requiring ample daylight and uncluttered backdrops throughout. The layout favors permeability over enclosure: a work area positioned near the entry is defined by fully retractable sliding doors and connected to large floor-to-ceiling windows, allowing the space to shift fluidly between focused use and open living. The elongated proportions of the living room are intentionally preserved, with furniture placement and layered lighting redefining how the space is used. A restrained palette and softly rounded furnishings give the room a quiet, gallery-like presence. Projection replaces a conventional television, keeping the walls clear and the visual focus to move freely across the space. In the dining area, a concealed lift-up range hood maintains a composed, unobtrusive atmosphere, while the private zones adopt a slower, relaxed rhythm. In the main bedroom, an expanded bathroom and dressing area respond to the couple's shared routines, with a lit mirror extending the visual axis and allowing the bathroom to function as an interior endpoint that preserves openness. The guest room is designed for short stays, with open furnishings to create a hotel-like retreat for visiting friends and family.

設計以低彩度大地中性色為基調，用純粹調性襯托人物、物件與日常。天地壁以木皮、石材與統一塗料鋪陳，弱化空間界線外，亦使場域能依需求自由切換。燈光配置上因應屋主日常拍攝需求，以可調色溫的系統燈具為主，而夜間動線上保留柔和而不刺眼的光源，在確保安全的同時，也為夜裡的移動留下一層緩衝節奏。看似深淺有別的層次，實則因採光位置的差異，使材質在光線中自然顯影。設計師精心編排色調、光線與量體，讓空間成為生活與工作之間的平衡載體。本案既是日常棲身之所，也是居者能隨心所欲運用的最佳拍攝地。

The interior is grounded in low-saturation earth-toned neutrals, providing a calm backdrop that allows people, objects, and daily moments to come forward. Wood veneer, stone, and a unified paint finish extend across floors, walls, and ceilings, softening boundaries and enabling the space to transition seamlessly between living and filming. Tonal variations emerge naturally through shifting light conditions rather than deliberate contrast. Lighting is carefully calibrated, with adjustable color-temperature fixtures supporting filming needs and softer, glare-free illumination guiding nighttime movement. Through a precise balance of color, light, and volume, the home becomes both a place to live and a setting readily adaptable for image-making.